Something I should own.

Something I should own.

I requested this months ago! Currently, I owe about seven or eight books to the library but I’m willing to return them all just to have a look at this book here. 

I requested this months ago! Currently, I owe about seven or eight books to the library but I’m willing to return them all just to have a look at this book here. 

Books organized by color.

Books organized by color.

My professor was giving books away this morning and here is what I walked away with. Post-grad reading materials are covered.

My professor was giving books away this morning and here is what I walked away with. Post-grad reading materials are covered.

Ellen Birrell, my mentor, bought this book for me as a graduation gift.
Loving her and crying forever. 

Ellen Birrell, my mentor, bought this book for me as a graduation gift.

Loving her and crying forever. 

Good afternoon.

Good afternoon.

I ran into Jeffrey Vallance last night and this is what he gave me.

I ran into Jeffrey Vallance last night and this is what he gave me.

D-503 has his first “dream,” and is soon diagnosed as having contracted the dreaded “soul-disease.” As D-503 describes it in his own richly suggestive language, such a condition marks the development of an interior self, an individual identity now distinct from the social aggregate: “The plane has acquired volume, it has become a body, a world, and everything is now inside the mirror - inside you.” (We, 89;16).

— From Utopia, The Nation, and the Spatial Histories of Modernity by Phillip E. Wegner

In We, however, Zamyatin first turns his critical gaze onto the other element of this dialectc - the social spaces of the modern city. The city that the reader finds in We is unlike any yet built: Zamyatin’s “One State” (Yedinoe Gosudarstvo) - an array of perfect geometric forms constructed, like the massive “Green Wall” which separates the city from the outside world, of “impregnable, eternal glass” - is the realization of the modernist dream of the new super-rational “machine for living.” This design at once recalls Nikolai Chernyshevsky’s vision of the crystal palace and prefigures real-world, glass-box urban architectures, such as those of Mies Van der Rohe and the CIAM group.

— 

From Utopia, The Nation, and the Spatial Histories of Modernity by Phillip E. Wegner.

(Many more quotes to come in the next few days. I’ll try to space them out.)